This article was written by Tanya Relf.

With the constant growth of user generated crowd sourcing, trade and social social networks for entertainment content market main performances underwent a constant fall influence and on the part of the portfolio over the past 5 years. As film and game consumers become more digitally sophisticated technology continues to maintain the pace but are publishers and developers fully exploiting the potential of social public? Traditional strategies and tactics by studios include a standard list of platforms but offer their content they contemplate full nature peer-to-peer, social services and TransMedia storytelling?

Read the rest of this article from Maddie’s Filmmaking Blog.